Top 10 Favorite Female Characters

Spoiler Alert. Videos might contain spoilers!

10: Gwen Cooper from Torchwood. As I am writing this I am waiting in hope for another series to be green lit and she is yet to return to the small screen. But from what we got so far, we have a tough, diligent and compassionate member of special ops team Torchwood . I find that any character who can overcome being hunted by aliens, extra-dimensional entities and the Government deserves my respect. Starting out as vulnerable, she steadily became a badass fighter for Earth, no matter the cause, but always saves for those she loves most and those in pain. Plus, you gotta love that Welsh accent. 

9: Michonne from The Walking Dead. Might seem a bit strange to see a character whom I placed so highly on my Top 10 Favorite TV characters not one year ago, but, well ... I guess evolution (or I changed my opinion, either way). Yet I can not deny my intrigue in her character. I'll tell you right now, in case of any misunderstandings, I have missed the entire last series so I have a lot to catch up! But her distant, cold nature, holds an underlying sadness and mystery. True she may look like some badass with a katana, but if we watch a little closer, we will learn so much more. Right now I am content with just the mysterious stranger persona.

8: Alice from The Critic. She may look, sound and act like small town southern gal, trying to make her way in the Big Apple. But don't let that fool you, that's honestly who she is. And that's the best compliment I can give her, she's a honest, all American woman. To tell the truth, she is more real than most of the women of this list and she's animated! And she's not just a comic foil for the main character Jay, she is his moral compass, a sense of real love in his life and has a great sense of humor. But it really annoyed me when she was dropped from the web series as another woman Whom Jay has lost. She really boosted Jays liability and made ​​the show worth watching.

7: Mary Morstan-Watson from Sherlock. I was planning on choosing a character from Sherlock who was endearing and likable, as well as interesting, like Irene Adler. But this goes solely to Mary. The fact she is played by the real life wife of Martin Freeman (Watson) their chemistry is just ... elementary (sorry, I could not resist). Actually it is just adorable, like Peter and Gwen adorable. She was much more developed than her role in the novels or other adaptions, having a story arch, a mystery and actually assists Sherlock. I think she is the only woman, other than Molly or Mrs Hudson, whom he actually likes. And the audience and fans loved her too and were heartbroken to find out her secret in the finale. Not to mention finally ending will they or won't hey theories on a homosexual relationship among the fans. Not bad for a women who came between Sherlock and John.

6: Skye from Agents of Shield. While the series may be considered Generally lackluster among the audience, to me it's saving grace was Skye. My first thoughts were quite ... negative to say the least. But as the series went on, she became more and more interesting and important by the second. Her relationship with Coulson is very much father/daughter, her relationship with Fitzsimmons is almost sibling like and her relationship with May is ... kinda strained, but now fully professional. Usually, Whedon writes his female protagonists as tough feminine figures or innocent and quirky. Thankfully we got the better of the two combined. She is smart, witty and out to prove herself, just how I like my leads.

5: Echo from Dollhouse. Not just pretty face, even though it is her primary purpose to be so. Starting out as a somewhat quirky doll (more so than the others), she gradually aroused more and more suspicion as she amassed more and more uploaded personas until her own subconscious broke through. Working from within the dollhouse to bring down the Rossum corp. she is a woman on a mission to free those who are trapped in the system. What really makes her stand out from all the others is her portrayal by Eliza Dushku, as well as the the original persona breaking through, Eliza also plays the role of the many personalities uploaded, whether it is a teacher, a master thief, an assassin or a girlfriend, each person is as compelling as it is memorable.

4: Catwoman from Batman the animated series. I just love the way she is presented Within the series, as a conflicted, seductive and enjoyable villain. True she may be a thief and her cat fetish may be OTT sometimes, but her Chemistry with Batman is just sublime. To me she is the true love of Bruce and Batman, and I look foreward to her appearance on the upcoming Gotham. She was one of the first femme fatales of the comics and thankfully she has earned the respect of many in the comic book community. What really sold me was the voice courtesy of scream queen Adrienne Barbeau. There is something so classy and romantic about the way she phrases certain words and I am glad they allowed her to contribute to the action and story, With many episodes concentrated on her relationship with Batman. It was a nice touch also to have her be an advocate for animal protection and become a socialite, schmoozing her way onto our screens.

3: Clara from Doctor Who. You see, I already like this character, but she is painfully underdeveloped. So what happens when we get at least one more series alongside what is assumed to be the darkest incarnation of the Doctor since 2005, only time will tell. But her unyielding loyalty, enduring charm and quick wit is a promising character in the making ! ... She is just lovely. There are two types of woman in the world for me; cute and hot, she is cute. Someone who has the looks, but prefers to flaunt her charm and wit instead, the type you want date in the long term. She has brains and friendly personality and has the potential to be as endearing as Elizabeth Sladen. I like to see her being helpful, I like to see her being clever and most of all I just love her sense of humor.

                           

2:. Katara from Avatar the last Airbender. Why does everybody overlook her? To answer this question I decided to compare her against Toph, a fan favorite. If we were to take their power away and leave them as ordinary girls, we would have one character who is crabby, moody and literally left wandering blind. The other would be a strong willed, supportive and fierce character. Her motherly instincts aside, she possesses a need to help others, whether she has the resources to or not. She is powerful with her ​water bending and has her limits, she is often concerned for those she cares about, especially Aang. While it may have started out as unrequited puppy love, it transformed into a tender and romantic relationship, something only Katara could have provided, no matter what the fan fictions say.

1: Rogue from X-Men / X-Men Evolution. Oh yes, in my opinion, Rogue is not only on of the best female characters, X-men and superheroes of all time, I think she is one of the best characters of all time. What she has, the rest of the characters on this list have tried duplicate. Like Skye, she Struggles to prove herself, like Echo, she is fighting to maintain control over her destiny, like Katara, she is tough, yet caring and like Alice, she is just a woman who is southern home perfection. Her conflicting feelings on romance and safety, her tortured upbringing and such a heartbreaking ability that will never allow her the experience the joys of a single kiss. And all this has formed one of the toughest X Men just south of wolverine (literally!). I find there are two forms this character can take, but many more can still apply, and that is being the feisty, humorous optimist in spite of her tortured life or the relatable reclusive, who feels the need to take care of herself and fight her own battles. Each one is a brilliant role model to look up to and not only that, but she is as hot as hell, with her emerald eyes, curvy body, tousled auburn hair with the white bangs / streaks, she is the ultimate femme fatale. I also love her strength in Both mind and, more impressively, body. She Could kick my ass any day, with a quick quip and a truck to the face, I believe Rogue has the potential to become one of the most powerful superheroes of all time. Just please, please Bryan, give the girl her own movie. She is one badass Southern gal who I want to take out to dinner.

Top 11 Nostalgia Critic Episodes

Ah yes, the Nostalgia Critic. What can you say about him. Comedian, critic, actor, director and writer, he does it all (with his brother Rob Walker, of course). Since discovering his videos, I have become a huge fan of his work. Inspiring a lot of what has been written here, as well as my writing style and influencing my opinion on film. To honor his contribution to the art of film criticism, I am counting down my Top 11 favorite NC episodes. Why top 11, like him, I like to go one step beyond.

11. Old vs New: Spider-Man vs The Amazing Spider Man

This is when it finally dawned on me how devoid of conflict these episodes are. In each review, he criticizes a film we either haven't heard of or a majority hate. In the ones which have strong feelings on both sides, he is the best at compromise. Even though for his review of Man of Steel, which his initial verdict I totally disagree on, is negative, he has managed to avoid any attacks by changing point of view and analyzing both sides of the argument. And I agree with every point made here in this review (one of the few times actually).

10. Moulin Rouge

It's almost mandatory to put this review on any list isn't it. I mean the amount of effort, preparation and time it took to assemble. The multiple cameos and many catchy musical numbers. This my favorite part of the review, a parody for each song filled with plenty of jabs of one of the most over-hyped, piece of pretentious crap I have ever seen. Oh sure the music was good and the acting delightfully over the top, but the story was cliche, the main characters bland and the cinematography all over the place. But I can enjoy the fact that at the end of it all, guilty pleasures exist in all of us.

9. Is Parody dead?

That's a question I have asked myself for many years. Oh sure, in the last paragraph I pointed out that guilty pleasures are good, but how something like...this become anywhere near as popular as Airplane or the Naked Gun. It is a strange editorial that examines what most people think when watching these "parody's", it can be both spiteful and insightful at the same time. I am glad he can acknowledge it's popularity on the internet (can anyone say Hishe), I am also glad he surprise his audience by being so in tune with the public conscience and how the film industry really has sunk to a new low.

8. Stephen king's IT

Why are people so afraid of this? Because thanks to the Critics drunken stupor during this review I can't watch any part of this film without laughing to myself, thinking "oh yeah, he made a joke about that". If nothing else, I really want to read the original novel thanks to this review (from what I hear, it's kind of intense). Tim Curry is incredibly funny, his pokes at the poor production, acting and writing are easily welcomed by those who do not find this piece of cornball the least bit frightening.

7. Raiders of the Story arc: X-Men

Thanks to the Critic, I was able to really get into this series again. It had been a long time since I grew up alongside it, teaching me about discrimination without even knowing. One of the best way's to look back and compliment a nostalgic piece of awesome is by satirizing it. And it's fun to see something old and nostalgic reviewed positively by the Critic. I really hope He does more of these in the near future. One's I would especially like to see is Justice league or X Men Evolutions. 

6. Refer Madness

This is probably the episode I laughed the most at. I never knew a movie like this existed, and thanks to the Critic I now feel I have an obligation to review it as a Cult Classic. I just love the imitations he makes throughout the review and how he mock's the fools who made this so harshly (I mean really stepping into nit-picking territory). My favorite jokes of this review are the window scene, time-traveling piano and the 12 angry idiots.

5. Farewell Roger Ebert

Of all the new editorials that he has put out, I would say this is probably my favorite. This is the Nostalgia Critic at his most modest. The fact that the late Roger Ebert passed away is sad enough, add on that this poignant eulogy to the work and influence of Ebert and his effect on all of us, it just bring's tears to the eyes. And the point he makes throughout is correct, that passion can go along way. I ask you to watch to the end as his final thoughts on the matter are the most touching of all.

4. Top 11 Simpsons Episodes

While everyone will have their own opinions on their favorite episode, I haven't watched the series in over a year now so I guess I have fallen behind. But from my experience of the show, I not only remembered all these great episodes, but I wanted to watch each of them all over again, just to get that feeling of nostalgia. And his number one pick really gives us, as the viewer, some perspective on Doug Walker. As for my personal favorite episode, probably Cape Fear.

3. The Wiz review

Strangely enough, I can't decide whether I saw 3 or 2 first. I was browsing YouTube for some material for a presentation I was doing on music in film, while at the same time my school was doing an adaption of The Wiz for that years show. I stumbled across one of these and I couldn't stop laughing. This crossover with Todd in the Shadows ( I am dead serious!), is actually both enlightening to me and enjoyable. From this review I was finally introduced to the concept of Cult films and by watching it made me want to make them my critique of interest.

2. Top 11 most F**K YEAH movie themes!

Geez...watch your language Critic. But all jokes aside, this was probably the first episode I saw. And while I might disagree with his number 1, all the rest are well chosen. On my first viewing I couldn't stop my laughing all the way through and as I re-watch it over and over I am still treated to the most awesome playlist ever. Not much to say about it really, just...watch it.

1. The Last Airbender review

Probably a bit curious to see this one at the top spot, but I have my reasons. For one, everything that Doug does well in his reviews,he does expertly; song's, sketch's, comedy, relevancy, etc. Nothing is wrong with this review, it is a movie that deserves to be torn apart and spat upon. But what really made this review important is that it introduced me to Avatar: the Last Airbender. I doubt I would have loved the show as much as I do know, had I not prepared before watching it. Oh yeah! For two weeks I was on a Avatar binge watch. And by the time I got to the episode, every joke cracked me up, every reference made me shout in disgust at it's mistreatment and the message at the end is perfect. Of all the reviews I have encountered, this was the most...humorous.

Well I hope you enjoyed my Top 11 and hope you will all give Doug and his alter ego a view in the future. I'm That Indie Reviewer and I plagiarized Doug's catchphrase so you don't have to (notify court! I beg you don't!) 

X-Men the animated Series Vs X-Men Evolution

vs

Now I know what your thinking...isn't this just like the Old vs New from Nostalgia Critic? Oh..you're not! OK then, since we cleared that up, let me explain. Growing up I loved both series (well, I say loved, more like liked one and loved the other). But aside from nostalgia, which ones is truly the better series. While many fans of the original series will hold to it being the superior, don't make up your mind until the end of this review. Like NC, I will compare the two series in a variety of categories. Story first, action, animation, villains, then Heroes as the series is focused mainly on them. Without further ado, here is my old vs new for X-TAS vs X-E. (I'm getting tired of waiting for him to do it)

Story
Now for story this is kind of a mixed bag. On one hand you have a series loyal to the fans and comics by telling stories similar to or exactly like the comic books. This has involved telling the back-story of each character to that in the continuity of the comics, as well as adapting famous stories like The Phoenix Saga, Days of Future Past, Genosha, etc. Because of this loyalty, fans are quick to choose this as the superior.
On the other hand, Evolution is more of a prequel to the original series and thus don't adapt that many stories (In fact, a majority of the time they allude to them happening in the future). This allows for more freedom to create new stories or add to the established lore. When I heard the premise I thought it had potential, but then I heard it was set in High School. I was like "no, no this is just a cheap cop out to grab the attention of a larger audience". But much to my surprise, the more I thought about it, the more I realized the potential of exploring themes of prejudice, influence and choice, all found in High school and faced by many teens and eventually kids as they grow older.

However, both stories have their cons, X-TAS rarely modernized the stories, are incredibly corny and dated. While X-E is more simplistic and, strangely, confusing in the stories delivery. Choosing, I would have to say that because of it's memorable corniness and loyalty to it's source material, I have to go with the original. The stories are famous and memorable for a reason, the writers treated it's readers with respect and spoke to them maturely about a subject. In X-E, I find they cater to the young crowd a bit too much sometimes. While a kids show, if we are treated with respect, then we respect the show. Old wins!                                         
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Action:
A TV series about superheroes is nothing without action, otherwise it would pointless, pretentious schlock. Both series had some great scenes of action and other times not. For example, around this time, censors I believe were clamping down on inappropriate content in media, especially Children/Teen TV. Before we were getting away with real firearms and bullets and blood on screen (Thank you BTAS), but somehow other shows like GI Joe and X-Men were using lasers and they barely showed a scratch. But aside from the impact, how was the delivery. 
Well, in the new we have the more acrobatic and more explosive demonstration of each characters powers. This has a much greater build up, but less of a pay-off. It's good to see the powers used in colorful and creative ways, especially when Wolverine uses his claws to actually cut and not just flash around. As I said the impact is rarely seen, mainly because of all those damn cutaways whenever a fight begins. The scene will literally cut to black every 10 minutes before a fight in order to 'build tension'. That's another thing there is no tension in each fight, although delivery is good and we can see what's happening, the result is sometimes disappointing, but predictable. 
In the old, there is a much greater sense of tension as the result is actually impressive (compared to the new). When Cyclops hit's Sinister with his optic blast, it looks and sounds like it hurts. but the build up is actually poor and the delivery by the combatants is under par. Their movement is limited and therefore the action is limited. Here I see that both series has very equal points, with one having better delivery and being more flowing, but is predictable and not too impressive. The other is a good result and tense, but has poor movement. I'd say this is a Tie ('cough' not a cop out 'cough').
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Animation:
Here is another area where I am conflicted. While both series are unique and deliver well in terms of animation, they are not without some major flaws. 
In the Old, the designs are very detailed in terms of character design and background/backdrop design. Everything looks like a animated version of the comic books. This is more close to the design that fans associate with the X men and I gotta say...it look's ridiculous. Have you seen what they're wearing, skin tight latex in blue, yellow and black. How does this look in any way inconspicuous. True they are detailed, but the movement is stilted, the pacing of a scene is choppy at worst and the voice acting doesn't always come up to scrap. I don't know why, but the way Wolverine speaks here sounds goofy and forced to me. But as much as I can complain, the designs are colorful and detailed, even if cheesy and sometimes contains homosexual undertones (look at what they are wearing!). But need we forget series 5, jeez what happened to them!
As for the New, I have to say the animation is almost top notch. The move quickly and efficiently and ever more so flowing. And the back grounds are equally as impressive, creating whole new areas containing vivid detail. Even the costume designs, due to being released the same time around Bryan Singer's franchise, are much more realistic and are similar, yet colorful contrasts, to the movies. But I will admit that the designs are rather simplistic. Like they only needed to shrink Jeans Greys uniform, paint it purple and boom you got Shadowcats suit. Also the animation for some scenes can be very lazy, like one scene where a truck was leaving the scene, you heard it drive off into the distance, but you can still see the rear of the truck at the edge of the screen.
I would say it's a tie here as well. I mean the old is more detailed and traditional, but it hasn't aged well, the designs are cheesy and...what was up with the final series. While the new is better designs of costumes and fluid animation, but with is simple and sometimes lazy.
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Villains:
OK, here is some easy picking's. If we are gonna compare villains from each show, they need to be memorable, powerful and, in the case of X-Men, relatable. let's look at the main man himself, Magneto. As the master of Magnetism and survivor of the Nazi Holocaust, these mix to form an enemy who is both dangerous and justified. In both show's, I got the feeling that Magneto has suffered and that his actions are somewhat justified, so I have pity for my enemy. But in terms of intimidation, my god Evolution sounds so badass. He sounds like Goliath from Gargoyles and looks intimidating. Always clad in the shadows until the finale of season 1, he poses a formidable threat that cannot be reasoned with. The old however, isn't nearly as intimidating. While he has his moments, the voice is just too distracting, the new is how I imagined he would sound. (Well, Evolution and Tony Jay.)
How about Mystique. A bit tough, while the new is more aggressive, the connection to Nightcrawler and Rogue is present in both cases, the new has more independence from Magneto, like she has her own vendetta, while the old allies herself more than actually leads. 
As for Apocalypse, in the old, he has a badass voice, badass weapons and is practically invincible. In the New, he barely speaks and yet he conveys so much. He just oozes power and domination, but his defeat is rather anti-climatic. (but I don't mind, for obvious reasons). 
The Brotherhood of Mutants are also worth examining. To tell the truth, I don't really like the Brotherhood, no matter the interpretation, both are equally goofy and aren't taken seriously enough.
But the real change came with Juggernaut. I mean, he's supposed to be the unstoppable, intimidating force of destruction, but the old has him spewing out stupid one liners. The new has him growl and laugh at those who stop him, while neither interpretations are clever, the new one is more intimidating.  
Other villains like Mr Sinister, Dark Phoenix, Shaw or Deadpool sadly don't make it into the new series, but in comparison, I find the new villains are more intimidating, more powerful and knocks the old out of the park.
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Heroes:
It's even Steven's and it all comes down to the main cast, the heroes. Without these guy's, their powers, the personalities and their representations of discrimination and intolerance, the show's would cease being as powerful in it's delivery of strong themes and morals. Let's concentrate on four in particular. First off, Wolverine. They are about the same in both. While one is more shrouded in mystery, they equally express a vigilante attitude, but a strong will to protect their friends. So tey are kind of tied. 
How about Cyclops. Tell the truth, in the old, nobody really liked him, he was too much of a boy scout and rarely thought outside the box. While in the new, Scott is a much younger leader, making more mistakes and coming to terms with his abilities. It is also interesting the exploration of how he feels about his inability to see anything without a visor. I find his need to be the boy scout, but still having a more angry attitude allows him to be a very diverse character.
Then there is everyone's favourite southern belle, Rogue. Again I side with the New, but only by a little bit. Both series explore interesting areas in the spectrum of Rogues emotions. I find that for someone with the ability of absorbing an entire persons being uncontrollably, they would tend to be a bit grouchy and reclusive. But at the same time, it's admirable to be optimistic and friendly in the face of adversity. The warm, reclusive, strong and vulnerable nature of these two interpretations are what Singer should be aiming to achieve in the future. So a tie.
In the old we got Jubilee as the eyes and ears of the young adult audience, while in the new, a majority of the cast is in their teens to late teens, and that role is taken by Kitty Pryde. Kitty is the chirpy, optimist of the group, intelligent and friendly, but not without her limits. Her ability to phase through matter allows for both comedic and action packed moments. Jubilee on the other hand...is none of these. While I may have been initially annoyed by the valley girl accent and frequency of mistakes in season 1, as we moved on Kitty became much more likable and competent. Jubilee stayed the same for the entirety of the series. She's a whiner, a boaster, incompetent, accident-prone and a nuisance. For someone who was meant to represent the young demographic, she sure did a bang up job on that. In fact, Jubilee appears in the new series as well and even though appearing in only a couple of episodes, she is much more likable and competent. She once used her power to save the X-Jet by diverting a heat seeking missile. 30 seconds and she did more for the X-Men than Jubilee did in the entirety of the Old series. No competition, the rest of the cast is relatively the same. Both Professors are good, both Beasts, both Jean Grey's. So yeah, by tallying up the votes, the New Series wins.
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I have to say that even though I find the New series better, this was actually closer than I thought. When I saw both series for the first time, I loved them both and looking back, the fact both have held up tremendously well, via a dedicated fan base, is a testament to the longevity of the series in the future. I recommend that either of the series be viewed and enjoyed, not because I said so, because they deserved to be watched. Both deal with similar themes of isolation, discrimination, idiocy of society and racism in different, but effective ways. Whatever you choose, I hope you enjoy your viewing. And by the way, sorry Doug Walker if read this and feel like I ripped of your idea, all credit goes to you for inspiring this post. And for anyone who feel's I was unfair on the old series, here's a special something.

Best opening sequence:
Old WINS!

 

The Critic

It seem's almost ironic or even, dare I say it, hypocritical to critique a show called The Critic. But it came to my attention not too long ago and I believe that now is the time to review one of the most underrated animated series I have ever seen since Gravity Falls. Now it's not as clever as The Simpsons (in it's heyday) or South Park, and it's not as mature as Futurama, but it is very adult orientated in the sense of what type of jokes it tells or the type of comedy it has. But can also be very childish in terms of physical comedy and animation style.

The plot revolves mainly around, you'll never guess, a critic, named Jay Sherman (voiced by Jon Lovitz). He goes to his job, some stuff happens and he ends his day. Kind of like Seinfeld, only with more film parody's, bizarre co-workers, an even more bizarre foster family and just about anything that can happen, happens! He found love, went to Hollywood, survived the Iraq war, searched for his parents lost at sea, became a trucker, etc. It is actually more similar to an episode of Simpsons, which makes sense as they were both produced around the same time. In fact both had similar comedy styles, but where they differ is in plot consistency. Here they stick to the more flowing narrative of setting up a plot and then going all the way. Have you ever seen an episode of the Simpsons, not including the specials, where the episode follows the opening. No, no you have not. This offers a more mature aspect to The Critic, which was targeted at families.

The show may have been memorable in terms of jokes being told and it's sight gags, but who was there to deliver them. How about the most colorful cast of characters you have ever set eyes upon. Every one of them is distinctive and memorable and funny, really, really funny. Let's see, there's Duke Philips, an eccentric, southern bred billionaire, Alice, Jay's love interest and assistant, Jay's parents, Doris, his chain-smoking makeup artist and Jeremy,  his Australian,  action actor friend. There are so many to choose from and like or hate. For me, Duke and Alice are my favorite supporting cast. Duke is basically every southern macho stereotype mixed with the madness of Mr Burns. Running for President or boosting his own ego via a god-like statue on his private hospital, he can do it all. If not, he may use that stockpile of nuclear warheads he owns. As for Alice, she is everything I wish a girlfriend, even a friend could be. She is a sweet southern bell, with a snarky sense of humour and can see past the obviously repulsive Jay for the sweetheart he is. Their love is sweet, tender and adorable.

I had recently come across a review by Siskel & Ebert of the Critic and they brought up an interesting point. I agree with them, that the show should be more concerned with Jay, his criticisms and film parodies (Did I forget to mention that? There are at least two per episode.) But then the formula would become old and predictable. To keep it interesting, those characters were introduced to provide comic relief and keep the plot fresh. However, some characters I never liked, like Jay's son, or his wife, and some episodes in it's entirety completely fall flat with jokes. Another gag used is the celebrity cameos. We have a whole assortment, from Orson Welles to Nixon to Siskel and Ebert themselves. Others like Schwarzenegger or Al pacino or Dudley Moore are used to more comedic effect. I don't know why Dudley Moore is constantly portrayed as Arthur from the same movie or why Pacino always say's Hoo-ha after every sentence, but it's just funny as hell. But for every episode that sucked, I found that two more episodes were instant classics and incredibly memorable. If I had to choose, which of course I do, my favorite episodes would have to be: LA Jay, Marathon Mensch, Sherman, Women and Child, A song for Margo and Sherman of Arabia. Check out each of these and If you enjoy them I guarantee a fun viewing experience for the entire family. Maybe.

TV month (again!)

It's here, this years newest Television Month. Now I will say right off the bat that I will not be able to get out as much this time. I will be on holidays for about ten days, but I will hopefully get a review out this week. After discovering some great new shows this time around, I hope to get the following posts out:
1. The Critic

2. Dollhouse

3. X-Men the animated series vs X-Men Evolution 

4. Top 10 favorite female TV characters

5. Top 10 Nostalgia Critic Episodes


Please send in your thoughts on these upcoming posts via the Facebook page, Twitter, or by commenting below.